Finally Batman is being tributed as it should have been a long time ago. Batman Begins is where it should have really begun in the first place. The production is flawless, the portrayals keep you in disbelieve all thruoghout the movie...

I will preface this by saying that I might have glanced at a Batman comic book when I was a kid, but have never read one. I did watch the Michael Keaton Batman movie, but my main Batman experience, prior to this movie, was watching the television series, non-animated, as a kid. In short, I am not an expert, at all. I bought this movie because, when I was in the hospital, it was showing on cable television and, while I did not get to see the entire movie there, I liked what I saw.

When the title says "begins," it means exactly that. This movie portrays Bruce Wayne's privileged but traumatic childhood, his path toward becoming an agent of justice, and his unusual training. It then moves back to Gotham, Bruce's hometown metropolis, that has become extremely crime-ridden, corrupt, and impoverished, with the gains made by Bruce's parents having been just about wiped out. To address this, Bruce Wayne, in his new persona of Batman, must face a powerful crime-lord, and an even-more-powerful, albeit shadowy, figure, plotting to ride the world of Gotham's evils by eliminating Gotham itself.

Batman is known as the Dark Knight, and we clearly get that here. Christian Bale gives us a Bruce Wayne who is glib on the surface, troubled beneath that, and an avenging crusader at his core. The imagery, both real and computer-generated, is awesome and dark, and the musical score enhances the story well, without ever dominating it.

The supporting cast is amazingly good. Michael Caine as Alfred? Perfect! Liam Neeson as Henri Ducard, Bruce Wayne's teacher in the martial arts (and more), was also perfectly cast. Tom Wilkinson was chillingly ruthless as the crime boss. Katie Holmes gives us a Rachel Dawes, potential love interest for Bruce Wayne, who is equal parts silk, steel, and flower. I had not seen Rutger Hauer in anything in a long time, but he was very good as the cold, greedy, power-hungry businessman. Morgan Freeman did his usual excellent job as Lucius Fox, Wayne Enterprises engineer and Bruce Wayne's technical advisor. I also liked Gary Oldman as Inspector Gordon, and Cillian Murphy was coolly insane and cunning as Dr. Crane/Scarecrow.

Of course, Batman had to have some interesting toys. What makes him nearly invincible? Check out the suit. How does he fly? That cape is not just a fashion statement. The big toy, though, is the tank-like Batmobile. Wow! Just get out of its way, and watch!

As you can tell, I like this movie. I did not like having to be in the hospital but, at least, I found a good movie from the experience.

-- Chris McCallister, author of Coming Full Circle

I suppose producers could not leave Batman alone in the course of the current revival of every possible cartoon figure, even if the last filmed series had already exploited most of the possibilities with one peak, the beautiful "Batman returns" with the superb Michelle Pfeiffer as the deadliest and most convincing Catwoman ever.

So, to find something new, we have here a "let's go back to the beginnings", hark! hark! such a novelty this is, trying to explore what was purposefully left unsaid by the creators of the character.

Curiously enough the result is not half as bad as it could have been. There is the usual sticky story of the poor soul wronged by men and fate who after a long wandering in the dark comes to know his real self, originally in the far east among kung fu teachers.
There is the usual town corrupted to the core, where all people is desperate or desperately evil but where a group of righteous souls still works for the greater good ( taking an airplane to some more reasonable resort?)

Ethics are trite and commonplace, completely uninteresting, so is character development and interaction.

All above notwithstanding the movie works in a way. Christian Bale is as intense as parmisan cheese and so is Katie Holmes but one cares, a little, for the situations and the atmosphere is convincingly gloom and desolate.
Side characters are good, each up to the not much required trying to give sense to the senseless lines they are given.

This film can be fun, just let yourself in the general atmosphere, the beautiful settings and turn off your critical self.